Inspiration comes from many origins ranging from nature and childhood memories to modern technology.  I have always loved to sketch so the initial jewelry concepts are sketched with pencil or chalk pastels.  The kiln formed designs begin in simple sheet glass form and are transformed using cutting, layering, fusing, grinding, and finally polishing techniques.  Sometimes I will add to the original design and fire the work in the kiln again, repeating the process until the desired effect is achieved.

The fusing process takes place in a kiln at temperatures between 1400 and 1700 degrees Fahrenheit.  I use basic hand tools and a lapidary grinder to shape the glass and a final firing at a lower temperature gives each piece a smooth and polished finish.  I've been working on some hand polished pieces as well.

I am currently learning silversmithing techniques at Austin Community College.  They have a very impressive metals program at ACC.  Below is one of my recent pieces.  The "box pendant" opens up to allow the wearer to change the color of the glass stone or place whatever object they would like to put in the box.

Currently I am learning lost wax casting techniques and enameling.  I am sketching new ideas and will incorporate some of my newly acquired skills into my future glass work.  Some of my new work is shown below.

I suppose the process is one big endless cycle of observing, learning, and experimenting.